American portrait, genre, and landscape painter, 1801-1846 The son of an English land agent who had emigrated to America in 1792, he studied under an itinerant drawing-master before moving to New York with his family in 1812. Two years later he obtained an apprenticeship with the city's leading portrait painter, John Wesley Jarvis, drawn to the artist not only for his skill but also for his collection of pictures, which at that time included Adolf Ulric Wertmuller's Danae and the Shower of Gold (1787; Stockholm, Nmus.). Inman worked closely with Jarvis, eventually accompanying him on his travels and serving more as a collaborator than an apprentice. Within this partnership Inman established a speciality in miniature painting. In 1823 he set up his own practice in New York and ceded miniature painting to his student and eventual partner Thomas Seir Cummings (1804-94).   Related Paintings of Inman Henry :. | Pallas and the Centaur | The Nativity | St Jerome in Rocky Landscape | Allee (nn02) | ortrait of count G.G. Kushelev with children |
Related Artists:
Isaac Levitan
Russia.1844-1927
Jean-Franc Millet
French Realist Painter, 1814-1875
MICHELI Parrasio
Italian painter, Venetian school (before 1516 - 1578) Italian painter and draughtsman. The natural son of a Venetian aristocrat, Salvador Michiel, he pursued his early training in the workshop of Titian and later in his career was associated with Paolo Veronese, who provided him with drawings for his paintings. He is known to have been in Rome before 1547. Micheli's earliest work is an altarpiece depicting the Virgin and Child with SS Lorenzo and Ursula (1535; Murano, S Pietro Martire), which was commissioned by Ursula Pasqualigo in memory of her deceased husband, the former Procurator Lorenzo Pasqualigo. There is also a Venus and Cupid (c. 1547; London, priv. col.) and a Lucrezia (c. 1547; London, Mond col.). In 1550 he married the daughter of a German baker. Several documented paintings have been destroyed or are untraced: the painting of Doge Lorenzo Priuli Accompanied by Ten Senators with Personifications of Fortune and Venice (1563), for which he received 225 ducats, was destroyed in the fire in the Doge's Palace of 1574. The work is known from a preparatory study (Berlin, Kupferstichkab.) and a contract of 22 October 1563. Five paintings known to have been in the Libreria Marciana that same year are also untraced. The large painting depicting the Adoration of the Dead Christ (Venice, S Giuseppe), signed and dated parrhasio Micheli dipinse nel 1573, includes a self-portrait. Micheli also painted portraits of Venetian noblemen (e.g. Girolamo Zane, Venice, Accademia; Tommaso Contarini, Venice, Doge's Palace) and associated with prominent men of letters including Paolo Giovio and Pietro Aretino.